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authorHolden Rohrer <hr@hrhr.dev>2020-05-20 00:49:00 -0400
committerHolden Rohrer <hr@hrhr.dev>2020-05-20 00:49:00 -0400
commitea1df8fdbeb5b08542bb85cf1fed0727dc444655 (patch)
tree6afe808732e4b010806e4014e73d48583493aa34 /jones-la
parent77237cfedc4abee6233b948cf750fe81eef87fe2 (diff)
the 47 and a half minute version (w/ makefile)
Diffstat (limited to 'jones-la')
-rw-r--r--jones-la/tttc-dead.tex4
1 files changed, 2 insertions, 2 deletions
diff --git a/jones-la/tttc-dead.tex b/jones-la/tttc-dead.tex
index bb9d22c..b86e3eb 100644
--- a/jones-la/tttc-dead.tex
+++ b/jones-la/tttc-dead.tex
@@ -7,7 +7,7 @@
\header
\title{Rhetorical Essay on {\it The Things They Carried}}
-% Rhetorical Analysis in __ minutes
+% Rhetorical Analysis in 47 and a half minutes
Tim O'Brien's {\it The Things They Carried} is only topically about the
Vietnam War. Throughout the book, he often tells stories directly, but
@@ -29,7 +29,7 @@ equivocation stories in general are a sort of window past the horror
that is war and the human condition.
But O'Brien doesn't imply that all stories are tonally fanciful like
-his with Linda. Because even those in this book aren't; his war stories
+his with Linda. Because not even all in this book are; his war stories
about Lemon and Lavender are sense horrific and a type of pointless
that O'Brien talks about in {\it How to Tell a True War Story}. He does
imply that, at their core, every story has this wonderful ability. In