diff options
author | Holden Rohrer <hr@hrhr.dev> | 2020-05-20 00:49:00 -0400 |
---|---|---|
committer | Holden Rohrer <hr@hrhr.dev> | 2020-05-20 00:49:00 -0400 |
commit | ea1df8fdbeb5b08542bb85cf1fed0727dc444655 (patch) | |
tree | 6afe808732e4b010806e4014e73d48583493aa34 /jones-la | |
parent | 77237cfedc4abee6233b948cf750fe81eef87fe2 (diff) |
the 47 and a half minute version (w/ makefile)
Diffstat (limited to 'jones-la')
-rw-r--r-- | jones-la/tttc-dead.tex | 4 |
1 files changed, 2 insertions, 2 deletions
diff --git a/jones-la/tttc-dead.tex b/jones-la/tttc-dead.tex index bb9d22c..b86e3eb 100644 --- a/jones-la/tttc-dead.tex +++ b/jones-la/tttc-dead.tex @@ -7,7 +7,7 @@ \header \title{Rhetorical Essay on {\it The Things They Carried}} -% Rhetorical Analysis in __ minutes +% Rhetorical Analysis in 47 and a half minutes Tim O'Brien's {\it The Things They Carried} is only topically about the Vietnam War. Throughout the book, he often tells stories directly, but @@ -29,7 +29,7 @@ equivocation stories in general are a sort of window past the horror that is war and the human condition. But O'Brien doesn't imply that all stories are tonally fanciful like -his with Linda. Because even those in this book aren't; his war stories +his with Linda. Because not even all in this book are; his war stories about Lemon and Lavender are sense horrific and a type of pointless that O'Brien talks about in {\it How to Tell a True War Story}. He does imply that, at their core, every story has this wonderful ability. In |